Amis: Yann Roscher - Curriculum Vitae
French Nationality Born 1975 Architect Live in Paris
2002-2011 Ι Ecole des hautes Etudes en Sciences sociales, Paris Ι FRANCE
DEA, Musique, histoire, société
2002-2006 Ι Conservatoire National Supérieur de Musique et de Danse, Paris Ι FRANCE
DFS, Acoustique musicale
1993-2002 Ι Ecole d'Architecture Paris-Malaquais, Paris Ι FRANCE
Architecte DPLG, Architecture
2005 - 2012 : Ecole Nationale Supérieure d'Architecture Paris-Malaquais Paris, Ι FRANCE
Lecturer,Co-Head of Department Architecture Art Policy
My teaching activities focus on the themes of the scenography, acoustics, history and design of scenic spots, issues of representation, and research methodologies.Since 2005, I work with students at a major research project on utopian theater designed by the avant-gardes of the twentieth century. This research will result in the exhibition "Theater in Utopia" at the Saline Royale of Arc et Senans, from May to October 2013. I work on these themes with Xavier Fabre, Xavier Dousson, Jac Fol, Bertrand Lamarche (ENSAPM), Marcel Freydefont, Bruno Suner (ENSAN), Esteban Buch, Michael Werner, Patrice Veit, Denis Laborde, Karine Le Bail (EHESS), Christine Simonin-Adam (ENSAPB).
2003 - 2012 : Theatre Electronique Paris, Ι FRANCE
Created in 2003, the collective has produced a dozen sound installations, including Wagner heads, Theatres-fiction, Gramophonies, Theatres ghost, circumnavigations.The collective (Hervé Berenger, Gregory Carroll and myself) just created a new project called "Space Opera" sound for seven stars in motion, which was exhibited in the Rotunda of the Opéra de Rennes in October 2011 (festival cultures Electroni [k]). Carl Xavier Dousson Seleborg and also member of the collective.Transcultures (Brussels) and Electroni[k] (Rennes) are responsible for the production of Electronic Theater.
2005 - 2012 : Ecole des Hautes Ecoles en Sciences Sociales Paris, Ι FRANCE
Phd associate at CRIA and CRAL
I work under the direction of Esteban Buch and Michael Werner, on the theme of destruction and its representations: the concept of destruction in German culture around the Second World War, and in analysis of musical works (Brand, Schoenberg, Dessau, Lachenmann). This research is associated with the Center for Interdisciplinary Research on Germany and the Research Centre on the arts and language. They have given rise to the cycle of four study days "Think destruction" organized with Maria Stavrinaki at INHA and EHESS in 2006-2007. I was recipient of research between 2003 and 2006.
2007 - 2009 : Agence Fabre/Speller/Pumain Paris, Ι FRANCE
As project manager of architects Xavier Fabre, Philippe and Vincent Speller Pumain, I participated in the design of six scenic spots, especially the Regional Theatre of Tver in Russia, the cultural center of Villeneuve-le-Roi, and the renovation of the Luxor cinema in Paris.
1998 - 2002 : Xu Acoustique Paris, Ι FRANCE
Collaborating acoustician Albert Xu Yaying in Paris for 4 years, I participated in the design of twenty scenic spots in France, Italy, Spain, Belgium, Switzerland, Luxembourg, China and Turkmenistan, in particular in collaboration with agencies IM Pei, C. of Portzamparc, R. Bofill, C. Vasconi, M. Fuksas, Jakob and MacFarlane, P. Andreu, AC Perrot, Rolland, and Clemens Bauer, Hermann and Hunziger.